Cuban artist based in Lausanne · collage, mixed media and sculpture

Dayamí
Hayek

Colour draws the eye. Material reveals the story. The work continues in the conscience.

Women III — Dayamí Hayek
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Women III, 2019Mixed media · Women series

The craft

“Each work has an important story to tell.”

Born in Havana, shaped by fifteen years in Sitges and now based in Lausanne, Dayamí combines collage, painting, object and a lifetime of materials to speak plainly about the environment, women's rights, peace, racism and technology. No gesture is decorative: every layer and every texture has a reason.

Meet the artist
Dayamí Hayek in her creative universe

An inner geography

Havana · Sitges · Lausanne

Three places, one language: Caribbean memory, Mediterranean freedom and Swiss precision meet through material.

01

Havana

Colour as memory, energy and resistance. Cuba is not a backdrop; it is a way of seeing the world.

02

Sitges

Fifteen years by the Mediterranean and a practice in interior design expanded her vocabulary of materials.

03

Lausanne

A place of focus and dialogue from which the work connects intimate experience with social and environmental questions.

“Every work has an important story to tell.”

Atlas of materials

The surface is a language.

Collage, paint, textile, thread, wood, metal and found objects are never ornaments. Each material is chosen for what it means, resists or reveals.

CollageMixed mediaTextileThreadObjectsRelief
Explore the series

Living archive

Shown where it matters

Geneva, Paris, Lausanne, Vevey — documented installations that place the work in an international context.

21 Views to the World in 1m × 1m

2018 · Geneva

21 Views to the World in 1m × 1m

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21 Views to the World in 1m × 1m was presented at the Palais des Nations in Geneva in November 2018 — the flagship series that put her name on the international map.

For collectors, architects and institutions

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Save the works that stop you in your tracks, visualise a piece in your space and send a direct enquiry to the gallery.

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